Cloudy Day at Oyster Bay

Dog walks in nature are good.  Crazy puppy can be off leash and risk sticking his nose in gopher holes.  Pupper runs and leaps, skips and jumps.The moment I try to photograph the Peregrine Falcon, he flies from his perch.  The thorned pod reminds me that Autumn is here, and the red berries, that Christmas is on the way.

A friend recently lost her pet.  I said, “when Krishna died I was so brokenhearted.  Like he, and only he knew me the best. Deeper than humanity.”

She said, “Right.  You nailed it.”

Got me to thinking about a favorite poem.


You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

-Mary Oliver

I love the line, “you only have to let the soft animal of your body/ love what it loves.”

Tribute to Poet Galway Kinnell: “The Road from Here to There”

Photo courtesy of

It’s Halloween, and the spirits of poets are here with all the rest.

Alas, poet Galway Kinnell has died.  Born in 1927, Kinnell was winner of both the Pulitzer Prize and the National Book award for poetry.  He was the Poet Laureate for the state of Vermont, and focused on themes of nature, social justice, and the subtle spiritual dimensions of life.  He was a man of the people who wanted to write poems that could be read and understood “without a graduate degree in literature.”

Recently I exchanged thoughts with a friend on Stanley Kunitz’ poem, “The Layers.”  We discussed how as we get older, there are so many memories and so many losses and so many people and thoughts that have gone by the wayside.  It can be sad and overwhelming at times.  Kunitz’ poem advises us to “live in the layers and not on the litter,” allowing us to appreciate our own histories in a respectful and heartfelt way.

My favorite poem of Kinnell’s also addresses this theme.  Traveling on a familiar road, we often think, “oh, here is where….”  As we get older, we think of so many things on our daily journeys, each tied to a certain space or place on the road.  So many memories.  Kinnell says “when the spaces along the road between here and there are all used up, that’s it.”

Maybe Kinnell’s spaces were all used up, his memory too full, it’s hard to say, what I can say though,  is that I’m glad he left record of his “spaces” for us.

The Road Between Here and There – Galway Kinnell

Here I heard the snorting of hogs trying to re-enter the under earth.
Here I came into the curve too fast, on ice, touched the brake 
	pedal and sailed into the pasture.
Here I stopped the car and snoozed while two small children 
	crawled all over me.
Here I reread Moby Dick, skipping big chunks, skimming others,
	in a single day, while Maud and Fergus fished.
Here I abandoned the car because of a clonk in the motor and
	hitchhiked (which in those days in Vermont meant walking
	the whole way with a limp) all the way to a garage where I
	passed the afternoon with ex-loggers who had stopped by to
	oil the joints of their artificial limbs and talk.
Here a barn burned down to the snow.  “Friction,” one of the ex-
	loggers said.“Friction?” “Yup, the mortgage, rubbin’ against
	the insurance policy.”
Here I went eighty but was in no danger of arrest for I was blessed-
	speeding, trying to get home to see my children before they
Here I brought home in the back seat two piglets who rummaged
	around inside the burlap sack like pregnancy itself.
Here I heard again on the car radio a Handel concerto transcribed
	for harp and lute, which Ines played to me the first time,
	making me want to drive after it and hear it forever.
Here I sat on a boulder by the winter-steaming river and put my
	head in my hands and considered time—which is next to
	nothing, merely what vanishes, and yet can make one’s
	elbows nearly pierce one’s thighs.
Here I forgot how to sing in the old way and listened to the frogs at
Here the local fortune teller took my hand and said, “what is still
	possible is inspired work, faithfulness to a few, and a last 
        love which, being last, will be like looking up and seeing 
        the parachute turning into a shower of gold.”
Here is the chimney standing up by itself and falling down, which
	tells you you approach the end of the road between here and
Here I arrive there.
Here I must turn around and go back and on the way back look
	carefully to left and to right.
For when the spaces along the road between here and there are all
	used up, that’s it.

-Galway Kinnell
From his book Three Books:  Body Rags, Mortal Acts,Mortal
Words, The Past.  
First Mariner Books Edition, 2002